The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both
The work of Haris Baskozos is compelling not only for its final forms but also for the sources of inspiration behind them. The artist studied architecture at the National Technical
The Museum of Modern Greek Ceramics, in collaboration with the French Institute of Greece, presents the exhibition TAKIMI II – Reconnections, featuring works by emerging ceramic artists Olga Vlassi and
This activity is only available in Greek. A guided tour of the second part of the exhibition “From Great Greece to Modern Greece”, which traces the completion of the country’s
The Algerian Embassy in Greece, in collaboration with the Municipality of Athens, is organizing the Algerian Cultural Days on May 21 and 22, 2025, in Klafthomnos Square, at the centre
Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are
Clippings: Athens presents the third series of paintings inspired by clippings sourced from old newspapers. Photographs, drawings, and articles about Athens emerge from the archives, transformed into visual artworks that
The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both
The work of Haris Baskozos is compelling not only for its final forms but also for the sources of inspiration behind them. The artist studied architecture at the National Technical
The Museum of Modern Greek Ceramics, in collaboration with the French Institute of Greece, presents the exhibition TAKIMI II – Reconnections, featuring works by emerging ceramic artists Olga Vlassi and
Vassilis Karakatsanis invites us on a journey through the spectrum of contemporary existence—a complex, ever-evolving interplay of memories, collective narratives and social dynamics. His exhibition Urban Tools unfolds as a
Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are
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