Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,
The exhibition Abandoned Cartographies and Other Odd Hours explores uncharted regions of the subconscious, forming a constellation of inquiries that defy rationality, order and narrative coherence. It focuses on lived experiences that elude conscious perception and information, opening up pathways to introspection and revealing hidden layers of the psyche. At the same time, it activates
This activity is only available in Greek. For nearly 60 years, British artist Phyllida Barlow created monumental installations that were both threatening and playful. She made large-scale sculptures using cheap, humble materials such as cardboard, fabric, plywood, gauze, and plaster. As she herself states, "In the past, sculpture carried historical narratives. Marble dominated and celebrated
During the This is Athens City Festival, photos and video footage may be captured for marketing and publicity purposes, to be used on the Festival’s website and social media channels and/or in third-party publications.
© 2022 - 2026 THE CITY OF ATHENS FESTIVAL
WEBSITE BY VIRTUS+
