The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the

Nikos Kyriakopoulos and his conquistadors disembark on Lenorman Street. Dragons and wild beasts, locals and conquistadors—and even Death himself—battle deep in untrodden jungles. The thirty-six works in this exhibition are not intended to serve History or the historical genre of painting. Instead, the artist draws his material from the mythos surrounding the Age of Discovery,

The worlds of plants, animals and humans—along with legend, myth, imagination and dream—form the basis of Vassilis Papageorgiou’s new artistic exploration. His paradoxical heroes and hand-crafted wooden creatures inhabit both two- and three-dimensional space in a state of perpetual whirling. Through an aesthetic lens, Papageorgiou reflects on the consequences of humanity’s destructive impact on the